Clocks with feathered hands, birds that ‘could be’ crows with four legs and stiletto beaks… Morgan Bristol, who will be featured artist at Rainforest Arts for the months of July and August, gets lost for hours at a time in a world of insightful whimsy, where he discovers art that delights and informs.
“I like to have a bit of character, comedy, in there so that people may have a little laugh, or see something in there that they can identify with,” he said at his studio, next to La Petite Auction House at 9686 Chemainus road, which he and wife Dawn Geddie operate.
To the uninitiated Bristol’s modest work space seems a combination repair shop, of some sort, and painter’s studio. That reflects his dual artistic persona: as a metal artist on the one hand; painter on the other, the painter in him only having emerged in the last year-and-a-half.
“I was trained as a metal artist, a jeweller” he explained, “and everything was sort of tactile and 3D, so this is kind of a new venture for me and I’m thoroughly enjoying it,” he said of his 2D debut.
There’s a sense of joy in most of his works, be they three-dimensional, or two. Clocks aren’t meant to measure time, really, so much as to make light of it; crows – if indeed the birds depicted in his recent works are of the Corvine family – aren’t meant to fly, so much as make us ask how flight is even possible.
Purposeful whimsy might be a good phrase to capture the spirit of Bristol’s work.
He’s especially excited to have his paintings featured. For someone who picked up the brush and spatula such a short time ago, he has created pieces that are innovative and captivating. You can’t help trying to imagine the world these creatures might inhabit – a world that’s an expression of Bristol’s own imagination.
“I seem to channel something when I’m painting,” he said. “It’s something that happens, and I can lose two or three hours in a second, and almost come-to and it’s done. It’s all intuitive in that sense.”
Intuitive, but worked with an almost sculptural passion. For Bristol the process is as important as what emerges out of it. “As far as the paintings go, I was never a lover of flat images. I always wanted to do something to those flat paintings, so that said, in this batch, I work in texture.”
His paintings are built up in many layers, Bristol explained, using just about any material that comes to hand. He listed paint, caulking material, gyprock mud, even tar as ingredients he uses to change the ‘contours’ of his paintings ‘until I get something that I like.”
Morgan Bristol’s art will be featured at Rainforest Arts, 9781 Willow Street, Chemainus, in July and August. The gallery is open from 11 a.m. to 4 p.m. daily. More information at RainforestArts.ca or info@rainforestarts.ca.
Asked if the birds depicted on his canvases were crows, Bristol replied, “Could be,” and laughed. “It’s a hybrid, definitely a hybrid, open to interpretation.” Come see for yourself and take some flights of serious fancy interpreting his works. His July 1 opening will feature live music and, of course, Bristol himself.
